There are a couple of common approaches for indicating trills with specific trill-to pitches in your music score. One way is to indicate the trill-to pitch as a stemless, cue sized note in a parenthesis.
This is an extremely clear and elegant way to present the trill-to information. In contrast to Finale and Sibelius, this is easy to implement in Dorico 2.2.
more >> “Create ½, whole-tone, flat, natural & sharp trill lines in Dorico”
In my opinion, Finale is a great music notation program, and probably the most flexible one available. However, there are little quirks about the program that can cause more frustration than they need to.
That’s where plug-ins come in.
Because plug-ins are created by Finale users just like you and me to solve these quirks and make our engraving lives faster, easier, and less frustrating.
And luckily, a while back Jari Williams created JW Lua, a scripting language for efficiently coding your plug-ins. With this plug-in, several developers have started to develop custom scripts that you can start running today.
In this post, I’m going to share with you how to install and run scripts with JW Lua as well as sharing several resources for scripts. more >> “Finale: Getting Started With JW Lua”
Finale’s Shape Designer is a built-in vector drawing program that can be used to address all sorts of little notational problems. It crops up in all sorts of places:
Expression Tool – Select “Shape” from the bottom of the Expression Designer.
Articulation Tool – Select “Shape” for the main and/or flipped symbols
Custom Arrowheads – This is available when designing a Smart Line, or when adding a line from within the Shape Designer itself (see below).
Executable Shapes – This can be found under the Playback tab of the Expression Designer.
Clef Designer – Accessed through Document Options. Choose “Shape” instead of Character:
Multimeasure Rests – Accessed through Document Options. The multimeasure “H” shape is actually a set of three lines grouped together: By ungrouping these you can adjust the thickness or appearance of your multimeasure rests.
Custom Stem Tool – Double click a note’s editing handle to bring up the shape selection box.
Here is a brief overview of some of the things the Shape Designer can do, along with a few examples of ways I’ve used it recently.
more >> “Finale: Shape Designer”
Finale 26 is quite a bit faster in graphics performance and stability than 25, and well worth the upgrade, with quantum improvements in management of articulations, particularly.
Whether or not you choose the “replace Finale 25” option in the installer (I didn’t!), assets such as plugins, FinaleScripts, soundmaps, Device Annotation Files, Libraries, ensembles.txt etc. manually need to be copied over to their corresponding places in the new Finale 26 Application Support folders by users with any customizations they’ve added while using 25 and earlier.
Let’s take a closer look…
more >> “Restore Finale Customizations after Upgrade”
I recently had to retire my trusty 2007 Macbook due to lack of Dropbox support for OS X Lion (10.7). I ran into an unexpected snag with the Macbook Air I bought to replace it, though: the most current OS X operating systems do not support older versions of Finale, but a number of orchestrators I work with still use Finale 2011 and Sibelius 6.
Fortunately, there is a solution to this dilemma in the form of virtual machines.
A virtual machine (VM) is an emulation of a computer operating system. This operating system could be a different operating system (such as Windows OS running inside the Mac OS) or, in this case, an older version of the same operating system (e.g. two different versions of the OS running on the same computer).
My Macbook Air is now running High Sierra (OS X 10.13), but I have El Capitan (OS X 10.11) installed inside Parallels Desktop to run older software versions of Finale and Sibelius. It was a relatively painless process, though not without a few kinks along the way. I hope my experiences will help others navigate those setbacks. more >> “Using Virtual Machines (VM) for Legacy Music Notation Software”
One of the quirks with Finale’s note spacing is that the very last system of a document will often have disproportionately fewer measures than the rest.
One option is to use the Fit Measures tool in the Utilities menu, but then the note spacing can be inconsistent between systems.
Finale’s Reference Spacing Width feature, found in the Music Spacing > Spacing Widths… section of Document Options, provides a solution. The setting allows you to reflow and rebalance the note spacing of measures quickly. more >> “A Fast Way to Change Music Spacing Reference Width in Finale (With Keyboard Maestro)”
Q: How can I enter a bar rest for a specific voice in Sibelius?
For instance, when I write music in two voices, in the event that the first voice pauses, bar rests are automatically notated above the second voice, should it continue:
Conversely, this is not the case.
A: Locate the bar rest on the second Keypad layout, which can be used during note input to enter whole rests in a specific voice…
… or to turn existing notes or rests into a bar rest.
A German version of this quick tip („Ganztaktpausen erstellen in Sibelius”) is available here.
Karin Vadon is a classically trained musician, singer-songwriter and music copyist from Vienna, Austria who authors a german-language music notation blog for Sibelius and Dorico users.