In graphic design, a drop shadow is a visual effect consisting of a drawing element which looks like the shadow of an object, giving the impression that the object is raised above the objects behind it.
The “Reprise Rehearsal” font for Sibelius automatically provides this effect with a handwritten look:
“Finale Copyist Text”, “Broadway Copyist Text” and “Jazz Text” are handwritten look fonts from MakeMusic that provide a way to bracket text, although this is not technically “drop shadow”. See this related article.
Finale 25, released this last August, is one of the most successful and feature rich efforts from MakeMusic in quite awhile. The point release for Finale v25.1, announced only a couple of months later, surprised Finale users with a small number of useful new features as well as the usual incremental bug fixes.
Multiple free-of-charge releases are part of MakeMusic’s new continuous development and release initiative; e.g. they have announced that they plan to share bug fixes and new features more frequently rather than saving them up for a single larger release.
As it turns out, this free point release to 25.2 released today (12/08/16) also feels substantial, with a couple of very nice feature enhancements along with fixes for a number of bugs (some of which have been around for awhile). Let’s dive in.
In both Finale and Sibelius, one simple and common way to separately control bar number size, location and frequency is to save off a separate copy of the final score as a Parts Score. However, while this is one way to achieve precise control, for bar numbers, at least, this isn’t really necessary, since both programs offer plenty of flexibility for displaying different bar number settings between the score and integrated parts.
Typically, bar numbers appear somewhat larger in the score than in the parts, and sometimes, bar numbers are bold or italic in one view, but not in another. As an example, for an orchestral pops chart or a film score soundtrack where a tabloid score and 9×12 parts are specified, bar numbers frequently appear nearly twice as large in the score as they do in the parts, and bar numbering may appear on every bar of both the score and parts, or on every bar in the score only, with the parts showing bar numbers at the start of every system.
Once you know where everything is, it’s quite straightforward in both Finale and Sibelius to create a separate score and parts “House Style” for bar numbers: