25 Free Music Fonts for Finale

The Elbsound Music Fonts Package v1.11 is a free package with 25 music fonts for Finale, created by Jan Angermüller.

The package now includes four new music fonts for a total of 25, and has been updated with many improved symbols.

The fonts were tested on Windows 10 with Fin 2014, 2014.5 and 25 and MacOSX El Capitan Fin 2012, 2014.5 and 25.

According to the information on the Elbsound website, it should also be possible to use these fonts with Sibelius by using the “Maestro” font style.

elbsoundmusicfontpackage

Be sure to read the FAQ/Troubleshooting section on the download page which contains important information about creating FAN files, cross-platform compatibility etc.

See also:

Behind-the-Scenes: The Music Font Comparison from Elbsound.studio

What is it ?

Music Font Comparison is an online A/B comparison of 150 music font families rendered using four musical examples. The font examples were created in a fully automatic font conversion process in Finale with a JW Lua plugin from a master document in Maestro font. No manual adjustments were made afterwards.

score-excerpt

Online Music Font Comparison from Elbsound.studio : The images on the website are downscaled JPEG versions of the PDFs created from within Finale.

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Adjusting Tracking, aka Letter-Spacing in Finale & Sibelius

Q: Is it possible to make title text appear more “expanded” (as I might do in a Word doc?) My client has a specific font request, but his letter spacing looks wider than the same font on my computer, which is more “tight”: title-text-w-tracking A: This difference is due to letter-spacing, referred to as “Tracking” in typography. Tracking refers to a consistent degree of increase (or sometimes decrease) of space between letters to affect density in a line or block of text. more >>

Legni Woodwind Fingering Font for Finale & Sibelius

Good music engravers are always on the lookout for inventive and elegant solutions to make their work easier. To me, one of the more interesting niche areas of typeset music notation are graphical fingering diagrams for musical instruments.

Fonts are the optimal solution for creating fingering diagrams in Finale or Sibelius. Since font characters are essentially vector graphics (as opposed to bitmapped graphics), they will look great when printed at any size, and remain clear and legible on screen.

There are several shareware and freeware fingering diagram fonts currently available for both woodwind and brass instruments from enterprising font designers. I covered a few of these in a previous post.

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Sibelius Rhythmic & Slash Notation tweaks

Q: IMO, Sibelius’ slash noteheads (type 4, ‘beat with stem’) are too long (2 spaces high vs.1 space in Finale’s), and too thick, making rhythms difficult to read. Hard to believe that Sibelius lacks something as simple as a short slash notehead. Do these smaller noteheads exist in Sibelius, or is there a way to create them? And if so, how?

A: Excellent question. Slashes and Rhythmic Notation are commonly used for comping guitar, bass and drums in jazz charts.

  • Stemless slashes are frequently used to indicate improvised chording or comping where no specificity is required. These slashes simply indicate “time” in the current meter (In 4/4 time, 4 slashes in a measure, for example).
  • Rhythmic Notation is used to indicate a specific rhythmic figure. Regular pitches are replaced with slash note heads attached to note stems in the center of the staff

There are several ways you can change the look of the default slash and rhythmic notation in Sibelius. Let’s take a look:

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