There are a couple of common approaches for indicating trills with specific trill-to pitches in your music score. One way is to indicate the trill-to pitch as a stemless, cue sized note in a parenthesis.
This is an extremely clear and elegant way to present the trill-to information. However, for “commercial” scores, this method is somewhat labor-intensive to create in the current software, and furthermore, isn’t completely bulletproof in terms of the trill-to pitch maintaining its horizontal positioning after music spacing .
Trills containing an intervalic jump larger than a whole step are commonly referred to as “fingered tremolo”, and displayed as pairs of notes with tremolo slashes.
Another method of displaying trills, which is very common in popular and commercial orchestral music as well as film and video game scores, largely because it is so efficient for entry, is to include a flat, natural or sharp symbol above, or just to the right of the “tr” symbol. For commercial scores, you also frequently see the trill-to note indicated as an intervalic distance, like a ½ step or a whole-tone (wt).
Q: I’m trying to create a cue line that has text information in it. The problem is that I want the cue text left aligned. The only way to enter text and not a Symbol is to use ‘centered text’, but I don’t want the text to be centered. Any idea? I’m in Sibelius 7.5, Mac.
…a tutorial for creating custom instrument group names in Finale is here.
There are some situations where you might need to show an additional label for a group of instruments in a score; to distinguish between different ensembles of like instruments or on stage or antiphonal instruments, for example:
One can achieve this in Sibelius by manually adding and placing text on each page of the score. However, this approach gets pretty tedious for large scores. The following technique is another method to help you achieve this look quickly and consistently.
One of the features lacking even in the latest version of Sibelius are straight lines which snap-to notes. All of the straight lines, including the gliss lines, attach to the staff, and actually don’t snap to noteheads. The gliss lines and other straight lines do play back in Sibelius, but they are fussy to position correctly between notes.
Bob Zawalich’s excellent and highly recommended “Lines Between Notes” plugin for Sibelius takes a great deal of the work out of positioning lines between notes accurately; indispensable if you write a lot of music with gliss lines, for instance.
The “Lines Between Notes” plugin is an amazing productivity tool, but it’s not a “dynamic” solution. If you apply the plugin in a concert score you’ll most likely have to make a second adjustment in the part if it transposes. If you change the start or ending note pitch after the fact, you’ll have the run the plugin again. A way to create a real, honest-to-goodness straight, note-attached lines would be a useful feature.
Since early versions of Sibelius, there have been Default Symbols and Lines. In the case of both Symbols and Lines, some of these are hard wired to specific functions in the program, and in the case of Lines in particular, these attributes are inherited by any “New” version you might create of that Default line.
For instance, the Default 8va line has an effect on playback. If you make a copy of this line by selecting it and clicking the “New” button, the New copy will inherit the same playback attributes. In the same way, if you change the visible attributes of the default 8va line, say, to different preceding text or change the line thickness, it will still maintain those playback characteristics.
But the ability to edit the defaults directly has some ramifications.
Laissez vibrer, or L.V. indications such as the one pictured above, are common notation practice. Instead of writing out a series of notes or chords together for what might be a long duration, the player is simply instructed, via a tie and the abbreviated ‘l.v.’ text, to let the note(s) ring out for as long as they would sound.