Lead Line Chord Notation, also referred to as Topline Notation is a shorthand notation convention that is sometimes used for rock, jazz and pop guitar or keyboard charts.
Lead Line / Topline notation is a good way to get the chord voicings you are looking for as a composer or arranger, particularly if you don’t actually play guitar (or piano); it allows you to specify melodic motion of the chords without having to supply details of voicings you may or may not know are practical (or possible) on that instrument.
To create this type of notation, visually, the stems are extended past the noteheads to show that the chords are voiced below (or above) the written lead notes. Here is an example:
Let’s take a look at how to create this type of notation in Sibelius.
more >> “Create Lead / Top Line Chord Notation for Rock, Jazz & Pop Charts in Sibelius”
Updated on August 9, 2018 to add an addendum on tupletting pairs of tied notes.
I recently needed to figure out ways to represent dotted notes so they would appear without a dot, and in the process, I found a number of ways to break down dotted notes into smaller notes. You may never need to do what I had to do, but someday one of these techniques may turn out to be useful.
more >> “Deconstructing the Rhythm Dot – The Mathematics of Dotted Notes”
Q: How can I change the default beam grouping in Sibelius? Specifically, I would like to have the 8ths in the time signature 4/4 be displayed in groups of 2 instead of 4.
more >> “Changing beam groupings in Sibelius”
Q: I am working on a piece with a lot of meter changes. I don’t know how I can repeat or make copies of those changes. There is a 4 bar pattern with meter changes as 4/4, 3/4, 4/4, (4/4). e.g. the 2nd bar of the pattern is always 3/4. However, when I copy and paste the 4 bars, the meter change isn’t copied. And, when I insert 3/4 and 4/4, the rebarring creates unwanted rests and destroys the pattern! How can I solve this problem?
A: On Mac, if you hold down the Command key when you make a selection, (use the Command key to select one bar, then hold down the Shift key to extend your selection) the selection area will be Purple, not Blue:
more >> “Sibelius : Copy Music with Alternating Meters into a New Location of your Score”
A few days ago a composer contacted me to ask how to create a score which did not show either time signatures or bar lines in Sibelius.
more >> “Sibelius : No time signature, no bar lines”
Q: How can I get Sibelius to create 16th septuplets in a bar of 6/8 without the duration dots?
A: It’s a great question. By default, if you select a 16th note or rest on the downbeat in 6/8 time and create a default septuplet (CNTRL-7 Windows or CMND-7 Mac), you end up with an extra 8th rest:
This is because Sibelius is interpreting the default septuplet request as 7 sixteenths in the space of 4 sixteenths (2 eighths). However, for the above case, it should actually be 7 sixteenths in the space of 6 sixteenths.
more >> “Create a Tuplet of Any Ratio in Sibelius”
Q: IMO, Sibelius’ slash noteheads (type 4, ‘beat with stem’) are too long (2 spaces high vs.1 space in Finale’s), and too thick, making rhythms difficult to read. Hard to believe that Sibelius lacks something as simple as a short slash notehead. Do these smaller noteheads exist in Sibelius, or is there a way to create them? And if so, how?
A: Excellent question. Slashes and Rhythmic Notation are commonly used for comping guitar, bass and drums in jazz charts.
- Stemless slashes are frequently used to indicate improvised chording or comping where no specificity is required. These slashes simply indicate “time” in the current meter (In 4/4 time, 4 slashes in a measure, for example).
- Rhythmic Notation is used to indicate a specific rhythmic figure. Regular pitches are replaced with slash note heads attached to note stems in the center of the staff
There are several ways you can change the look of the default slash and rhythmic notation in Sibelius. Let’s take a look:
more >> “Sibelius Rhythmic & Slash Notation tweaks”