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	<title>OF NOTE</title>
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	<link>http://www.rpmseattle.com/of_note</link>
	<description>Finale and Sibelius tips and tutorials by music notation expert Robert Puff</description>
	<lastBuildDate>Mon, 14 May 2012 17:20:41 +0000</lastBuildDate>
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		<item>
		<title>Create Custom Repeat Dots On 2 Line Staves in Sibelius 7 or Sibelius 6</title>
		<link>http://www.rpmseattle.com/of_note/create-custom-repeat-dots-on-2-line-staves-in-sibelius-7-or-sibelius-6/</link>
		<comments>http://www.rpmseattle.com/of_note/create-custom-repeat-dots-on-2-line-staves-in-sibelius-7-or-sibelius-6/#comments</comments>
		<pubDate>Sun, 13 May 2012 22:20:23 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[note entry]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3635</guid>
		<description><![CDATA[Q: In Sibelius (v.6 and now v.7) with a &#8220;Percussion [2 lines]&#8221; instrument, I want to make repeat signs that appear in between the two lines. My two alternatives so far, are (1) &#8216;percussion-style&#8217; repeat signs, with one dot above &#8230; <a href="http://www.rpmseattle.com/of_note/create-custom-repeat-dots-on-2-line-staves-in-sibelius-7-or-sibelius-6/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/create-custom-repeat-dots-on-2-line-staves-in-sibelius-7-or-sibelius-6/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
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		<title>Proofreading</title>
		<link>http://www.rpmseattle.com/of_note/proofreading/</link>
		<comments>http://www.rpmseattle.com/of_note/proofreading/#comments</comments>
		<pubDate>Thu, 10 May 2012 19:48:59 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[parts]]></category>
		<category><![CDATA[scores]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3607</guid>
		<description><![CDATA[Proofreading is an essential part of music preparation, whether it&#8217;s engraving for publication, a recording session, or for performance. It&#8217;s more than merely having an eye for detail. Good proofreading really boils down to having an efficient and methodical / &#8230; <a href="http://www.rpmseattle.com/of_note/proofreading/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/proofreading/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Auto Note / Stem Side Articulation Placement in Finale</title>
		<link>http://www.rpmseattle.com/of_note/auto-note-stem-side-articulation-placement-in-finale/</link>
		<comments>http://www.rpmseattle.com/of_note/auto-note-stem-side-articulation-placement-in-finale/#comments</comments>
		<pubDate>Thu, 10 May 2012 00:35:33 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[editing]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3595</guid>
		<description><![CDATA[Articulations are small symbols which which are normally placed near the notehead to indicate how a note is to be played. However, when music appears in more than one Voice or Layer, the placement rules change. Earlier versions of Finale &#8230; <a href="http://www.rpmseattle.com/of_note/auto-note-stem-side-articulation-placement-in-finale/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/auto-note-stem-side-articulation-placement-in-finale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Show Active Layer Only : What You See Is What You Edit in Finale</title>
		<link>http://www.rpmseattle.com/of_note/show-active-layer-only-what-you-see-is-what-you-edit-in-finale/</link>
		<comments>http://www.rpmseattle.com/of_note/show-active-layer-only-what-you-see-is-what-you-edit-in-finale/#comments</comments>
		<pubDate>Thu, 10 May 2012 00:15:26 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[parts]]></category>
		<category><![CDATA[scores]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3588</guid>
		<description><![CDATA[In Finale, sometimes it is desirable to copy only the material from one Layer (e.g. voice) to another location. However, while you can use use the settings in Edit &#62; Edit Filter to control which elements are copied, all Filter &#8230; <a href="http://www.rpmseattle.com/of_note/show-active-layer-only-what-you-see-is-what-you-edit-in-finale/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/show-active-layer-only-what-you-see-is-what-you-edit-in-finale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Quick tip : Slur / Phrase Mark Entry in Finale 2012 / 2011</title>
		<link>http://www.rpmseattle.com/of_note/quick-tip-slur-phrase-mark-entry-in-finale-2012-2011/</link>
		<comments>http://www.rpmseattle.com/of_note/quick-tip-slur-phrase-mark-entry-in-finale-2012-2011/#comments</comments>
		<pubDate>Tue, 08 May 2012 20:16:53 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[editing]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3581</guid>
		<description><![CDATA[In Finale, with the slur tool selected, double click on the start note of the slur, but don&#8217;t release the mouse after the second click (down, up, down). Instead, drag the slur right to extend it. As it passes each &#8230; <a href="http://www.rpmseattle.com/of_note/quick-tip-slur-phrase-mark-entry-in-finale-2012-2011/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/quick-tip-slur-phrase-mark-entry-in-finale-2012-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Create a URL Hyperlink in Finale</title>
		<link>http://www.rpmseattle.com/of_note/create-a-url-hyperlink-in-finale/</link>
		<comments>http://www.rpmseattle.com/of_note/create-a-url-hyperlink-in-finale/#comments</comments>
		<pubDate>Tue, 08 May 2012 19:31:44 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[text]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3574</guid>
		<description><![CDATA[Did you know you can create Page Text which is a URL hyperlink in Finale? Select the Text Tool, then double click on the page where you want the link text to appear. When you see the flashing cursor, select &#8230; <a href="http://www.rpmseattle.com/of_note/create-a-url-hyperlink-in-finale/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/create-a-url-hyperlink-in-finale/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Articulation Alternatives for Staggered Bowing in Finale and Sibelius</title>
		<link>http://www.rpmseattle.com/of_note/articulation-alternatives-for-staggered-bowing-in-finale-and-sibelius/</link>
		<comments>http://www.rpmseattle.com/of_note/articulation-alternatives-for-staggered-bowing-in-finale-and-sibelius/#comments</comments>
		<pubDate>Fri, 23 Mar 2012 01:34:12 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[text]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3522</guid>
		<description><![CDATA[Bowings are a type of symbol used in music notation to indicate the use of the bow in string parts, which indicate the manner in which a note should be played. Finale and Sibelius share a standard way to create these; &#8230; <a href="http://www.rpmseattle.com/of_note/articulation-alternatives-for-staggered-bowing-in-finale-and-sibelius/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/articulation-alternatives-for-staggered-bowing-in-finale-and-sibelius/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Notation Workflow : Tips For Moving Logic Files into Sibelius or Finale</title>
		<link>http://www.rpmseattle.com/of_note/notation-workflow-tips-for-moving-logic-files-into-sibelius-or-finale/</link>
		<comments>http://www.rpmseattle.com/of_note/notation-workflow-tips-for-moving-logic-files-into-sibelius-or-finale/#comments</comments>
		<pubDate>Thu, 15 Mar 2012 05:08:25 +0000</pubDate>
		<dc:creator>Doug Zangar</dc:creator>
				<category><![CDATA[Guest Articles]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[midi]]></category>
		<category><![CDATA[playback]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3447</guid>
		<description><![CDATA[For Logic users there may come the time that one needs to get a file over to Finale or Sibelius to finish a project. Logic has its own proprietary notation display formatting and doesn’t currently support Music XML. However, you &#8230; <a href="http://www.rpmseattle.com/of_note/notation-workflow-tips-for-moving-logic-files-into-sibelius-or-finale/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/notation-workflow-tips-for-moving-logic-files-into-sibelius-or-finale/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Create a Divisi or Chorded Instrument from Two Separate Staves</title>
		<link>http://www.rpmseattle.com/of_note/create-a-divisi-or-chorded-instrument-from-two-separate-staves/</link>
		<comments>http://www.rpmseattle.com/of_note/create-a-divisi-or-chorded-instrument-from-two-separate-staves/#comments</comments>
		<pubDate>Sun, 04 Mar 2012 21:16:46 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[page layout]]></category>
		<category><![CDATA[parts]]></category>
		<category><![CDATA[scores]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3369</guid>
		<description><![CDATA[In my post &#8220;Keep it Together in Finale or Sibelius : Score &#38; Parts in the same file&#8220;, we looked at methods of exploding chorded or divisi parts in the score into individual lines that, would be hidden in the &#8230; <a href="http://www.rpmseattle.com/of_note/create-a-divisi-or-chorded-instrument-from-two-separate-staves/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/create-a-divisi-or-chorded-instrument-from-two-separate-staves/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Keep it Together in Finale or Sibelius : Score &amp; Parts in the same file</title>
		<link>http://www.rpmseattle.com/of_note/keep-it-together-in-finale-or-sibelius-score-parts-in-the-same-file/</link>
		<comments>http://www.rpmseattle.com/of_note/keep-it-together-in-finale-or-sibelius-score-parts-in-the-same-file/#comments</comments>
		<pubDate>Fri, 02 Mar 2012 04:31:46 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[chords]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[note entry]]></category>
		<category><![CDATA[plugins]]></category>
		<category><![CDATA[staff styles]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=3288</guid>
		<description><![CDATA[In the early days of Finale and Sibelius, individual parts were generated from a master score via a painful and aptly named process referred to as &#8220;Extraction&#8221;. The programs would dutifully export twenty or thirty cryptically named parts files onto &#8230; <a href="http://www.rpmseattle.com/of_note/keep-it-together-in-finale-or-sibelius-score-parts-in-the-same-file/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/keep-it-together-in-finale-or-sibelius-score-parts-in-the-same-file/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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