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	<title>OF NOTE</title>
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	<link>http://www.rpmseattle.com/of_note</link>
	<description>Finale and Sibelius tips and tutorials by music notation expert Robert Puff</description>
	<lastBuildDate>Sun, 05 May 2013 23:30:04 +0000</lastBuildDate>
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		<title>Vertical Spacing Between Staves in a Score &amp; Working @ 100%</title>
		<link>http://www.rpmseattle.com/of_note/vertical-spacing-between-staves-in-a-score-working-100/</link>
		<comments>http://www.rpmseattle.com/of_note/vertical-spacing-between-staves-in-a-score-working-100/#comments</comments>
		<pubDate>Sun, 05 May 2013 22:33:25 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5854</guid>
		<description><![CDATA[Q: What is the ideal space between staves in a score? I know this can vary but I would like to make the systems as big as possible without too much crowding. A: The ideal distance between staves is based on the &#8230; <a href="http://www.rpmseattle.com/of_note/vertical-spacing-between-staves-in-a-score-working-100/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Tim Davies Orchestration Blog &#8220;deBreved&#8221;</title>
		<link>http://www.rpmseattle.com/of_note/tim-davies-orchestration-blog/</link>
		<comments>http://www.rpmseattle.com/of_note/tim-davies-orchestration-blog/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 17:34:46 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Guest Article]]></category>
		<category><![CDATA[Sibelius]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5827</guid>
		<description><![CDATA[I wanted to let you know about a great new orchestration resource for composers and orchestrators; a blog recently started by my friend and colleague Tim Davies. Tim is a successful Hollywood orchestrator who has orchestrated and conducted scores for a &#8230; <a href="http://www.rpmseattle.com/of_note/tim-davies-orchestration-blog/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>How to do what JW Rhythm and Meter (Plugin) does in Sibelius</title>
		<link>http://www.rpmseattle.com/of_note/how-to-do-what-jw-rhythm-and-meter-plugin-does-in-sibelius/</link>
		<comments>http://www.rpmseattle.com/of_note/how-to-do-what-jw-rhythm-and-meter-plugin-does-in-sibelius/#comments</comments>
		<pubDate>Fri, 05 Apr 2013 16:52:03 +0000</pubDate>
		<dc:creator>Bob Zawalich</dc:creator>
				<category><![CDATA[Guest Article]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[plugins]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5768</guid>
		<description><![CDATA[After reading Robert&#8217;s post about the JW Rhythm and Meter plugin for Finale, I decided to figure out what you could do in Sibelius to accomplish the same results&#8230; RELATIVE METER CHANGE (A) Double Meter / Half Meter - resizes the meter: There &#8230; <a href="http://www.rpmseattle.com/of_note/how-to-do-what-jw-rhythm-and-meter-plugin-does-in-sibelius/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Featured Finale Plugin &#8211; JW Meter and Rhythm</title>
		<link>http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-meter-and-rhythm/</link>
		<comments>http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-meter-and-rhythm/#comments</comments>
		<pubDate>Thu, 28 Mar 2013 19:46:53 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[plugins]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5737</guid>
		<description><![CDATA[UPDATED 4/19/13 I was recently asked to rebar an extended section of a score containing various time signatures 4/4, 2/4, 3/4 into 3/2 time. Fortunately, what could have been a hugely labor intensive and messy operation became a whole lot &#8230; <a href="http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-meter-and-rhythm/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Featured Finale Plugin &#8211; JW Staff Polyphony</title>
		<link>http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-staff-polyphony/</link>
		<comments>http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-staff-polyphony/#comments</comments>
		<pubDate>Thu, 21 Mar 2013 18:45:55 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[plugins]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5718</guid>
		<description><![CDATA[If you are a longtime Finale user, chances are you know who Jari Williamsson is. Jari has maintained the Finaletips.nu site for a number of years and is a prolific Finale plugin author. One of Jari&#8217;s latest offerings is an amazing multi-purpose &#8230; <a href="http://www.rpmseattle.com/of_note/featured-finale-plugin-jw-staff-polyphony/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>It&#8217;s Official : MakeMusic Acquired by LaunchEquity</title>
		<link>http://www.rpmseattle.com/of_note/its-official-makemusic-acquired-by-launchequity/</link>
		<comments>http://www.rpmseattle.com/of_note/its-official-makemusic-acquired-by-launchequity/#comments</comments>
		<pubDate>Wed, 13 Mar 2013 22:51:51 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5702</guid>
		<description><![CDATA[March 13, 2013 - MakeMusic announced today that the company will indeed by acquired by LaunchEquity, with the transaction closing in the second quarter of 2013. In July, 2012, MakeMusic received a proposal from LaunchEquity Partners, LLC to acquire the operating &#8230; <a href="http://www.rpmseattle.com/of_note/its-official-makemusic-acquired-by-launchequity/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
		<wfw:commentRss>http://www.rpmseattle.com/of_note/its-official-makemusic-acquired-by-launchequity/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>Lyric Phrasing</title>
		<link>http://www.rpmseattle.com/of_note/lyric-phrasing/</link>
		<comments>http://www.rpmseattle.com/of_note/lyric-phrasing/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 19:53:49 +0000</pubDate>
		<dc:creator>Robert Puff</dc:creator>
				<category><![CDATA[Finale]]></category>
		<category><![CDATA[Sibelius]]></category>

		<guid isPermaLink="false">http://www.rpmseattle.com/of_note/?p=5669</guid>
		<description><![CDATA[I frequently receive vocal scores which have slurring that seems to be at odds with the lyrics themselves: Essentially, this boils down to too many conflicting symbols being used simultaneously to represent similar instructions. A little historical context might help &#8230; <a href="http://www.rpmseattle.com/of_note/lyric-phrasing/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>4</slash:comments>
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