Beyond Defaults : Create ½, whole-tone, flat, natural & sharp trill lines in Sibelius

There are a couple of common approaches for indicating trills with specific trill-to pitches in your music score. One way is to indicate the trill-to pitch as a stemless, cue sized note in a parenthesis.

trill-to-example

This is an extremely clear and elegant way to present the trill-to information. However, for “commercial” scores, this method is somewhat labor-intensive to create in the current software, and furthermore, isn’t completely bulletproof in terms of the trill-to pitch maintaining its horizontal positioning after music spacing .

Trills containing an intervalic jump larger than a whole step are commonly referred to as “fingered tremolo”, and displayed as pairs of notes with tremolo slashes.

Another method of displaying trills, which is very common in popular and commercial orchestral music as well as film and video game scores, largely because it is so efficient for entry, is to include a flat, natural or sharp symbol above, or just to the right of the “tr” symbol. For commercial scores, you also frequently see the trill-to note indicated as an intervalic distance, like a ½ step or a whole-tone (wt).

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Restore Finale Customizations after Upgrade

Finale 26 is quite a bit faster in graphics performance and stability than 25, and well worth the upgrade, with quantum improvements in management of articulations, particularly.

Whether or not you choose the “replace Finale 25” option in the installer (I didn’t!), assets such as plugins, FinaleScripts, soundmaps, Device Annotation Files, Libraries, ensembles.txt etc. manually need to be copied over to their corresponding places in the new Finale 26 Application Support folders by users with any customizations they’ve added while using 25 and earlier.

Let’s take a closer look…

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How to Work With Large Time Signatures in Dorico Pro 2

🎬  This article is a transcription of one of the excellent tutorial videos posted to the official Dorico YouTube channel.

Dorico Pro 2 introduces support for two conventions for time signatures: the “commercial” larger time signatures used on scoring sessions, and the other for the concert hall. It’s straightforward to show a large time signature centered on every bracket, with three display choices: the traditional bold serif numerals, a narrower version of the traditional numerals, or tall thin sans serif numerals. You can also show time signatures above the staff, with complete control over size, position, and typeface.

Presented here in written form with the kind permission of its creator, Anthony Hughes, this tutorial is titled “How to Work With Large Time Signatures in Dorico Pro 2″…


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Finale version 26 review

MakeMusic’s Finale v26 update was released  today. Their social media teasers over the last few weeks have contained the perfect buzzword for a guy like me: “productivity”.

(If you are new to Finale and anxious to get started,  feel free to skip to the last paragraph of this review. Then, head over to MakeMusic to download the free 30 day trial and check it out for yourself.)

For the rest of us, I’ll cut to the chase: for me, by far the most compelling productivity feature in this upgrade is Finale’s reworked Articulation Tool, so let’s start there.

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