Etude numbers in published works commonly appear at the left edge of the first staff of each etude:
Since these occur in the same place as Instrument Names might in a score, (and since serendipitously, instrument names aren’t typically displayed at the left edge of systems in an Etude book), we can use the Instrument Name Text Style in Sibelius combined with Instrument Changes to create a series of Etude numbers. Here’s how:
more >> “Sibelius – Create Etude Numbers Using Instrument Changes”
Tip: When entering dynamics with hairpins in Finale, enter the dynamics first, then the hairpins. The reason for this is that the text dynamics locations will help you determine the proper start and end point of the hairpins:
more >> “Finale Collision Avoidance, Part 3 : Dynamics”
Q: How do you avoid collisions in Finale, i.e: dynamics, hairpins, accents, chord symbols, etc.? I end up manually moving a lot of stuff, and then I have to manually adjust each part as well.
A: I typically start with the smallest elements and work my way out to the big ones. It’s important to make as many placement adjustments as you can in the score, because in doing so, you are also updating their relative positions in the parts (location changes to articulations, text or shapes made in the parts are *not* reflected in the score). I covered collision avoidance of staff text, dynamics and lines in my post from 10/31/11, so let’s talk about articulations . . .
more >> “Finale Collision Avoidance Part 2 : Articulations”
Q: Sibelius gliss lines always start playing from the beginning of the note they are attached to. Using the desired (and typical jazz) notation style, how do I get a gliss to start at the end of a note (without resorting to tied subdivisions)?
A: In the example below, Sibelius’ gliss playback starts right on beat one of bar 2, at the start of the half note, and extends across the full two beats. In order to get the desired gliss playback, which is both later and faster (at least in the jazz interpretation of it), the half note needs to be divided into a dotted quarter tied to an eighth, with the gliss attached to the eighth note per the notation in Ex. 2:
more >> “Starting Glissando Playback Later in Sibelius”
Q: How do I get glisses in Sibelius 7 to automatically respond correctly by instrument type? Even though the Inspector is set to the default ‘auto’, for wind instruments, it still plays a mod wheel-type slide instead of a chromatic run, which must be set manually.
A: Strangely, a number of the woodwind instrument definitions in Sibelius 7 have their default glissando type set to “Continuous” while others are set to “Chromatic”. This is not unique to Sibelius 7 – these instruments are defined this way in Sibelius 6 as well. The Instrument Families that are affected are Clarinets, Saxophones and Recorders.
more >> “Correctly defining an Instrument’s Glissando Playback Defaults in Sibelius”
Q: My question is about tempo changes. I’m copying handwritten parts to Sibelius so musicians can easily read what’s written, and there is a tempo change that states, among other things, that the music is to have a 12/8 feel, where the 12 is above the 8, no slash, just like you’d see in a time signature. Is there a way to do this in Sibelius or am I stuck writing writing out “12/8” just as you see it here?
A: Yes, absolutely. First of all, Sibelius 6 (and 7) have a text style called “Time Signatures (one staff only)” which allows you to place a regular looking time signature as text anywhere you want, independent of their normal staff location(s). This text style is located here:
- Sibelius 6 : Create > Text > Other Staff Text > Time Signatures (one staff only)
- Sibelius 7 : Text Tab > Styles Gallery > Time Signatures (special) > Time Signatures (one staff only)
But you can also create a new text style which will allow you to display a time signature as part of a line of text, like this:
more >> “Incorporate a time signature into a line of text in Sibelius”
Q: Sometimes I need to notate cluster notes (tone clusters). But the Finale software doesn’t seem to support these. How can I create them?
A: Finale allows you to notate tone clusters following a couple of different conventions easily in a few steps…
more >> “Creating Tone Clusters in Finale, part 1”