Finale, Finally…

8/16/16 • The latest version of Finale was announced today by MakeMusic, and it’s evident that MakeMusic has put a good deal of thought and effort into this release.

Finale is finally a true 64-bit application. On my venerable 2009 MacPro running OS X 10.11.6, after installation, I opened a few scores to poke around in. The first thing I noticed was a substantial speed increase with certain operations. For instance, on a large score, Human Playback, which was glacial in 2014.5, loads almost instantaneously. Editing within a larger file seems much more responsive.

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MakeMusic releases Finale 2014.5

11/17/15 : Today,  following numerous teasers on the @finaleofficial twitter feed in the last few days, MakeMusic has released an incremental, but significant update to Finale 2014 they have dubbed “2014.5”.  Although this is a maintenance update to Finale 2014, the installer leaves your original Finale 2014 application in place, allowing you to have both Finale 2014 and Finale 2014.5 installed at the same time. (You’ll have to redo your Finale workspace preferences and install any 3rd party plugins for this version, but in my opinion, well worth the few minutes this will take.)

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MusicXML & SMuFL Development transferred to W3C

July 28, 2015 : In the spirit of maintaining open standards in music notation, MakeMusic and Steinberg have announced they are transferring development of the MusicXML format and SMuFL (Standard Music Font Layout) specification to a new Music Notation Community Group at the World Wide Web Consortium (W3C).

Michael Good of MakeMusic, Daniel Spreadbury of Steinberg and Joe Berkovitz of Hal Leonard / Noteflight will be co-chairs of this new group.

(Links to related articles on the web appear at the end of this post.)

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MOTU announces MusicXML support in upcoming DP9 version upgrade

At Winter NAMM 2015, MOTU demonstrated MusicXML export capabilities in their demo of the upcoming version 9 release of Digital Performer. DP is MOTU’s flagship DAW application for Mac and Windows, popular with many composers for film, television and other media.

DP9 will allow users to export a sequence’s MIDI data as an industry-standard MusicXML file, for import into music notation software such as Finale or Sibelius.

MusicXML export should provide a big workflow improvement for DP-based composers and orchestrators who currently must use Standard MIDI files to exchange data with their notation software of choice. This existing method often requires creating a duplicate copy of the sequence MIDI tracks and applying hard quantization before exporting, so that the notation application will interpret the exported MIDI data in a musically useful way.

DP9’s Music XML export appears to build upon the already solid Quickscribe notation features included in DP. The exported MusicXML file will included the non-destructive quantization applied by the Quickscribe transcription engine, as well as any dynamics or other markings added in the Quickscribe editor window.

DP9 is just the latest of several major DAWs to support MusicXML. Steinberg’s Cubase and Nuendo both feature import and export of MusicXML, while Apple LogicPro X, Cakewalk SONAR and MAGIX Sequoia offer export-only support for the standard. Users of Avid Pro Tools can open and save Sibelius files, but not MusicXML.

You can view MOTU’s DP9 preview presentation at Winter NAMM in the following video (notation-related content starts around 6:35):

MOTU Product Specialist Dave Roberts, seen in the video above, says “we are projecting late Spring for the DP9 release”. Check back here after DP9 ships for a thorough review of its MusicXML feature.



Brian Monroney is a guitarist, composer and arranger based in Seattle. He has recorded  and/or toured with artists including Tom Jones, Gloria Estefan, Barry Manilow, Natalie Cole, and Nelson Rangell. Brian’s music has been heard on TV shows such as The Big Bang Theory, Ellen, TMZ and Modern Marvels.

An afternoon with the students of the Pacific NW Film Scoring Program

A few days ago, I was asked to visit the students of Seattle’s Pacific NW Film Scoring Program to speak about my role as music copyist, orchestrator and music librarian for feature films and video games.

The students asked some great questions, so I thought I would post a few of them along with my answers here.

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Finale 2014D Announced

November 3rd, 2014 : MakeMusic today announced a new 2014d update to Finale which includes a half-dozen new features, as well as a handful of bug fixes:

Of special note is a new opt-in anonymous usage data feature which will help MakeMusic better track how Finale users are working with the program, so that relevant improvements can be made more frequently and efficiently in the future:

“Improve Finale: By selecting “Yes” below, you allow MakeMusic to automatically collect anonymous information about your hardware configuration and how you use the software. With this information, we will identify usage patterns so that our designers can make informed decisions when creating future versions of Finale.

We will not collect your name, address or any other personally identifiable information, and you will not be contacted in any way. Since we have no visibility into your actual documents, there is no risk that any unpublished or copyrighted material will be accessed.

You can change this setting at any time by choosing “Help Improve Finale” from the Help menu.”

Here is a list of the features and bug fixes:

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MakeMusic joins Peaksware; HQ to move to Colorado

MakeMusic, Inc. has announced that they will join the umbrella company Peaksware, Inc., effective immediately. Peaksware is division  of LaunchEquity Partners.

MakeMusic, which currently employs about 100 people, is moving its headquarters to Colorado.

SibeliusBlog first broke this story on Wed. Aug. 6th. The article features an interview with Peaksware’s CEO Gear Fisher.

The MakeMusic product line currently includes Finale, SmartMusic, Garritan instruments and the MusicXML music interchange format.