A few days ago a composer contacted me to ask how to create a score which did not show either time signatures or bar lines in Sibelius.
I’m working on a composition of a 17 year old student for their final exams at the end of high school. He has written a drum part which requires samples as well as drum kit.
These samples are notated as diamond noteheads on his score:
However, when I export the midi file to to Logic, I lose all these diamond headed notes.
So, I created a second version of his score (Liam Comp 2.sib), where I managed to copy these diamond noteheads into a new staff. However, when I try to play these back – nothing (whether the new instrument is drum set or piano).
Are you able to see why these notes on the score do not appear to be registering as midi messages on playback and export?
Please help me Obi-Wan Kenobi, you are my only hope.
Thanks very much,
If you are a music educator teaching the fundamentals of rhythm, from time to time, you may find the need to count out beat numbers over the notation to help indicate various rhythms for your students.
Sibelius has a useful plugin called “Number Beats” (found in the plugins Text category) which does this automatically, but until recently, I wasn’t aware of a similar plugin for Finale.
- Select a region
- Choose JW Pattern
- Drop-down the Sequences category
- Choose the “Numbered Steps” task.
- For “Step Method”, choose Beats in measure”
Finally, you can choose one of Finale’s Text Categories from the Category drop down to control the text style and placement of the resulting text.
The JW Pattern plugin is available free of charge on Jari Williamsson’s Finaletips.nu website.
Thanks to my friend and colleague Gary Gibson for contributing this tip.
Q: IMO, Sibelius’ slash noteheads (type 4, ‘beat with stem’) are too long (2 spaces high vs.1 space in Finale’s), and too thick, making rhythms difficult to read. Hard to believe that Sibelius lacks something as simple as a short slash notehead. Do these smaller noteheads exist in Sibelius, or is there a way to create them? And if so, how?
A: Excellent question. Slashes and Rhythmic Notation are commonly used for comping guitar, bass and drums in jazz charts.
- Stemless slashes are frequently used to indicate improvised chording or comping where no specificity is required. These slashes simply indicate “time” in the current meter (In 4/4 time, 4 slashes in a measure, for example).
- Rhythmic Notation is used to indicate a specific rhythmic figure. Regular pitches are replaced with slash note heads attached to note stems in the center of the staff
There are several ways you can change the look of the default slash and rhythmic notation in Sibelius. Let’s take a look:
Measured tremolo is a specific repetition of notes per beat measured exactly in a given tempo. It’s a type of notation shorthand which takes up less space than writing all the notes out, commonly found in published classical works.
It’s common practice to write out the full notation of the first beat or bar of a measured tremolo passage to avoid confusion:
In her book “Behind Bars”, Elaine Gould also recommends adding the label “non trem.” to the first note value of the abbreviation.
You can apply these in either duple or triple meter, with the added benefit that Sibelius plays these back as if they were written out in long form, (which will help you to check your work).
One case where the “how to” is not quite as obvious, however, are tuplets that are represented by measured tremolo. For instance, in 2/4 time, how would you create:
Let’s take a look…
Frequently, in jazz charts, drum parts are written with rhythm cues included so the drummer can catch specific accents and phrases the band is playing. These cues might look something like this:
Finalescript™ can help speed up the process of creating these cues, automating the following steps required to create cue notes in drum parts:
- Move cue notes to Layer 4 in drum staff (Layer 1 is used for slashes)
- Transpose all pitches in selection to space above the staff
- Change to cue sized notes
- Change stem direction of cue notes to stems up
- Change tie direction of cue notes to “over”
- Move Rests up, parallel with notes in Layer 4
- Apply a custom slash notation style that allows the cue notes in Layer 4 to show
The script is designed to create rhythm cues using the Normal Notation Style. However, I’ve also had luck with using it with a drum staves using the Percussion Notation style, although as outlined below, in newer versions of Finale there is an additional step required.
Before starting to create rhythm cues, you will need to paste the Finalescript lines below into a new Finalescript. Copy and paste the script lines from “//start script” through the line that says “//end script”. In Finale, the script editor can be accessed from the plugins menu: Plugins>Finalescript>Finalescript Palette.
Here is the Finalescript: