X noteheads, also referred to as “cross” or “crossed” noteheads have a number of functions in modern music notation.
In percussion writing, they are the go-to for non-pitched metallophone instruments such as cymbals or tamtam or gong. For drum set, particularly in jazz or rock charts, cymbals are typically the most active part, and X noteheads help these stand out from the other parts on a 5 line staff.
In vocal music, x noteheads are often used tor spoken text, or for unvoiced sounds / vocal effects. In both instrumental and vocal writing, they can be used to indicate notes of indefinite pitch. And in jazz charts, X noteheads can be used to indicate “ghost” notes in a melodic line.
(for drum set writing, there is an actual “ghost” notehead, which is a regular notehead in parenthesis.)
Cross (x) noteheads can also be used as a special effect to indicate hand / finger damping of instruments such as guitar, or tuned percussion such as vibraphone.
I have been spending a lot of time lately working in the JW Lua plug-in for Finale (here’s a shameless plug for the JetStream Finale Controller), but I have also been falling in love with Dorico. I’m very excited about the fact that Dorico also uses the Lua scripting language as the basis of its macro system.
If you are not familiar with how Dorico’s macro feature works, there’s another Of Note post you can read here to get you started. Of special importance is the location of the generated scripts, and the necessity to rename the userscript.lua file in order to access it from the menu.
If you are a Finale user, you may have already heard about JetStream Finale Controller. JetStream is a tool designed to increase your speed and productivity in Finale, which works with Elgato’s 15 key or 32 key Stream Deck hardware, its Mobile apps for iOS and Android, and also Keyboard Maestro for Mac.
JetStream Finale Controller is a community-driven project; written by a small group of Finale users with diverse backgrounds. JetStream itself is (and its developers promise) will remain, free to download and use.
Today, an update to JetStream Finale Controller was announced, with a number of new features, as well as various bug fixes and enhancements. Here’s what’s new:
Music notation software has evolved considerable over the last 20 years, A goal for Finale and the other big players in this space continues to be automation; eliminating, as much as possible, the need for manual edits.
For instance, as of Finale 26, when you add more than one articulation to a note, they stack intelligently; and automatically adjust to avoid collisions with slurs. But collision avoidance of articulations is just the starting point for any good layout.
What if you could just enter notes and rests, articulations, phrasing and text, define a page size and margins, and the software would automate nearly all of the little details to make the music look great on the page? Magical, right?