Collision Avoidance in Finale, Part 1 : The Little Things

Q: What method(s) do you use to avoid collisions in “busy” scores in Finale, i.e: a tutti section with dynamics, hairpins, accents, chord symbols, etc… I have messed with the Avoid Collisions plugin but that doesn’t seem to do the trick for me.

A: For me, regardless of the notation program you are working in, there are a couple of basic “small things” that make a piece of music look “clean”. The first is a consistent amount of white space between any two objects that are close together on the page. The amount of minimum white space between any two objects is usually a matter of personal taste; a “house style” decision.

The second is that wherever possible, the vertical alignment of similar grouped objects such as dynamics, chord symbols or lyrics should remain consistent. Horizontal alignment should also be consistent. For instance, if you decide that techniques like “arco” and “pizz.” should be right aligned with noteheads horizontally or centered over notes, then you should locate these markings consistently in that position as much as is possible.

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Finale – Type Harp pedal markings as text into your score

Q: “In Finale, I have notated the starting and ending notes of a gliss which is in C minor. The full version of TGTOOLS has the Harp Pedaling… plugin, but since I’m not displaying enough pitches at this point in the score to outline the C minor tonality, I can’t get the plugin to work. Can I manually type in the harp pedal marking for C minor as text into Finale?”

A: Yes. To indicate the pedal changes at the start of a piece or new section, there are two standard conventions:

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