Beyond Defaults : Take Control of Note Spacing in Finale

Music spacing (historically referred to  as “punctuation”) is controlled by a mathematical ratio in Finale. At any point in time, this equation determines the horizontal placement of notes and related musical objects within each measure and across each system to create the appropriate balance of music notation density on each page.

Note spacing is more than simply assigning a specific width for each note duration; a number of variables interact to affect how the final music music notation output looks on the page. These variables include stems, flags, accidentals, articulations, ties, chord symbols, lyrics and much more.

Finale’s music spacing acts on three key areas to achieve consistent note spacing results: (a) mathematically perfect spacing between notes of different durations (b) additional event spacing or “padding” of specific objects to prevent collisions, and (c) lyric spacing, where music is theoretically spaced to fit the words instead of the words fitting the music.

If you examine music  note spacing (punctuation) from various published sources, you’ll see that while there are definitely variations between publishers, as a general rule, all music publishers follow similar practices.

Historically, plate engravers of music measured widths from the left side of the characters. For instance, the distance between two quarter notes is measured by the space from the left side of the first notehead (or rest) to the left side of the next notehead (or rest).

Finale provides professional looking note spacing results by default, so that even casual users can achieve properly balanced looking scores and parts. However, as you might expect, Finale offers a great deal more flexibility and control than these defaults. You might be surprised at how much power Finale has under the hood here.

Let’s take a closer look…

more >> “Beyond Defaults : Take Control of Note Spacing in Finale”

A Fast Way to Change Music Spacing Reference Width in Finale (With Keyboard Maestro)

One of the quirks with Finale’s note spacing  is that the very last system of a document will often have disproportionately fewer measures than the rest.

One option is to use the Fit Measures tool in the Utilities menu, but then the note spacing can be inconsistent between systems.

Finale’s Reference Spacing Width feature, found in the Music Spacing > Spacing Widths… section of Document Options, provides a solution. The setting allows you to reflow and rebalance the note spacing of  measures quickly. more >> “A Fast Way to Change Music Spacing Reference Width in Finale (With Keyboard Maestro)”

Note Spacing & Locked Systems in Finale

Q: “I’d like to create a document with one measure per system in Finale, with a different time signature per system, and where the width of each measure varies according to the time signature so that the distance between quarter notes is the same for each measure, regardless of the time signature.

I can do this by manually dragging the Edit System Margin handles, but was hoping that this spacing (measure varies according to time signature) can be done automatically somehow.”

A: It’s a great question. I hope you won’t mind if I reel this out a bit, since it will allow us to look at the relationship between note spacing and the measures and systems which encapsulate that spacing:

more >> “Note Spacing & Locked Systems in Finale”

Note Spacing in Finale & Sibelius : Matching Music In Print

Q: While I was reading your article about note spacing in Sibelius and Finale, an interesting idea came to mind: Do you think it is possible to recreate the exact note spacing of a certain publisher from a printed page or pdf file in Sibelius?

A: Great question! I assume you are referring to punctuation (the word used to describe the horizontal spacing between music characters).

Note spacing, or punctuation,  works in tandem with the physical layout of measures on the systems / pages, which is historically referred to as “Casting Off”.

For starters, it’s worth noting that duplicating a publisher’s *exact* horizontal music spacing (punctuation) involves more than consistent numerical settings. This is partly because there have been so many different types of processes for engraving music over the years:

  1. Punched on plate
  2. Lithograph
  3. Autographed (drawn)
  4. Stamping
  5. Photomechanical
  6. Music Typewriter
  7. Acetate and Rub-off sheets
  8. Computer

…and partly because punctuation, as it turns out, isn’t necessarily an exact science, and can fall into three basic categories:

  1. Mathematically perfect
  2. Mathematically imperfect
  3. Lyrical

In addition, other factors besides notes can affect note spacing. For instance, accidentals, note flags, articulations, material in other voices etc …

However, in spite of the variations which are inherent in all of the above  processes and categories, it should be possible to closely approximate the punctuation (horizontal spacing) of a particular published piece in either Sibelius or Finale by taking some measurements and setting up your software to duplicate these.

Note that you can  even apply different rules to different sections of a score to increase or decrease spacing widths, or approximate the “mathematically imperfect” and “lyrical” punctuation categories above, or address a specific concern where some circumstance requires a special consideration. More on that in a moment…

more >> “Note Spacing in Finale & Sibelius : Matching Music In Print”

Music Spacing Between Layers in Finale

Q: In this screenshot, you’ll notice that the G natural accidental in the third bar is colliding with the previous F sixteenth note between the two layers:

fin-original-collision

I have tried all sorts of ways to fix it, using the Document Options’ minimum spacing, space between, etc. I have tried Note/Beat/Time Sig. Spacing, all the JW note spacing alternatives and nothing fixes this issue automatically. Is it only fixable manually?

more >> “Music Spacing Between Layers in Finale”

Finale Note Spacing, Beat Spacing, Beat Groups & Time Signature Spacing

Q: I am using Finale 2011, and I am having a music spacing issue. If I am inputting beamed notes, and add an accidental, the space between that note and the one before it becomes unnecessarily larger, and the beamed notes are no longer evenly spaced.

Unchecking the “Avoid Collision of Notes and Articulations” has no effect on the spacing whatsoever. I have viewed several Finale scores that lead me to believe that even spacing with accidentals is possible, but I am at a loss as to how to accomplish it. Have you any ideas for solving this issue?

A: In addition to the spacing parameter controls found in Document Settings>Music Spacing, Finale has three different types of automated spacing: Note Spacing, Beat Spacing and Time Signature Spacing. Additionally, Finale provides a way to fine tune the spacing between individual note objects.

Let’s take a look…

more >> “Finale Note Spacing, Beat Spacing, Beat Groups & Time Signature Spacing”

Archaic Techniques : Note Spacing : Centering Notes of Bar-Length Duration

“In traditional engraving, when a bar consists of a single note and there are no other durations in any part, the note is placed just to the left of the center of the bar. Such bars, by definition are usually fairly narrow. This spacing creates a better balance than a single note positioned at the beginning of the bar:

In widely spaced bars, the note can be placed closer to the barline so as not to appear isolated. When there are other durations in other parts, the single duration is placed at the beginning of the bar as normal.” 

from : Behind Bars: The Definitive Guide to Music Notation
by Elaine Gould (pg 41)

  more >> “Archaic Techniques : Note Spacing : Centering Notes of Bar-Length Duration”