Etude numbers in published works commonly appear at the left edge of the first staff of each etude:
Since these occur in the same place as Instrument Names might in a score, (and since serendipitously, instrument names aren’t typically displayed at the left edge of systems in an Etude book), we can use the Instrument Name Text Style in Sibelius combined with Instrument Changes to create a series of Etude numbers. Here’s how:
Tip: When entering dynamics with hairpins in Finale, enter the dynamics first, then the hairpins. The reason for this is that the text dynamics locations will help you determine the proper start and end point of the hairpins:
I see a lot of music that has dynamics entered in Times New Roman Italic or Times New Roman Italic Bold:
There is something not quite right about this “engraved” looking bar of music, right? The Opus Text Std Music text font would look more “correct” for the dynamics. However, even though this font is assigned as the Music Text Font in many of the Sibelius Manuscript Papers, you may find your dynamics look like the above, rather than:
Let’s walk through a couple of different ways to enter these dynamic text symbols, and importantly, let’s take a look at how to fix them after the fact, using the Change Dynamics plugin in Sibelius:
A few years ago, I created two special “Scratchpad” files, one for Finale (.mus) and one for Sibelius (.sib). It was a handy way to quickly copy and paste common notation building blocks which can take time to create, like drum set patterns, from one score into another.
The Ideas Library of Sibelius 7 offers a much better way to collect and organize these building blocks – and it’s integrated right into Sibelius. To start with, you have access to a large number of built-in musical motifs you can use to create new music (Preferences>Ideas>Show Built-in-ideas), and you can add and edit your own.
In this YouTube video from back in 2008, Daniel Spreadbury gives an excellent demonstration of the original “Ideas Hub”, as it was called when it was first introduced in Sibelius 5:
However, to this day, I’m surprised at how many Sibelius users think of the Ideas feature as nothing more than a “Musical Clip Art” feature – fun to play with, but not a tool for serious professional use. You might be surprised to learn that the Sibelius Ideas feature is a powerful scratchpad that has the power to transform the way you work. Let’s take a closer look:
Q: “In Finale, I have notated the starting and ending notes of a gliss which is in C minor. The full version of TGTOOLS has the Harp Pedaling… plugin, but since I’m not displaying enough pitches at this point in the score to outline the C minor tonality, I can’t get the plugin to work. Can I manually type in the harp pedal marking for C minor as text into Finale?”
A: Yes. To indicate the pedal changes at the start of a piece or new section, there are two standard conventions:
Q: “In Sibelius, I have notated the starting and ending notes of a gliss which is in C minor. I tried the Add Harp Pedal Diagrams plugin, but since I’m not displaying enough pitches at this point in the score to outline the C minor tonality, I can’t get it to work. I would just like to manually type in a harp pedal marking for C minor as text into Sibelius. How can I do this?”
A: To indicate the pedal changes at the start of a piece or new section, there are two standard conventions:
Sibelius has a very useful feature called Text Wildcards. Wildcards are a type of placeholder text that are sometimes referred to as Tokens or Text Inserts. These wildcards use the information from the fields in File>(Score)Info to display text on the page.
One advantage of using Text Wildcards is that you only need to type the actual text into the Sibelius file in one location – File>(Score)Info. Anywhere the wildcard appears, the text is dynamically updated instantly.