Create Drop Shadow Enclosures for Rehearsal Marks in Finale

In graphic design, a drop shadow is a visual effect consisting of a drawing element which looks like the shadow of an object, giving the impression that the object is raised above the objects behind it.

The “Reprise Rehearsal” font for Sibelius automatically provides this effect with a handwritten look:

fin-reprise-rehearsal

“Finale Copyist Text”, “Broadway Copyist Text” and “Jazz Text” are handwritten look fonts from MakeMusic that provide a way to bracket text, although this is not technically “drop shadow”. See this related article.

more >> “Create Drop Shadow Enclosures for Rehearsal Marks in Finale”

Finale 25.2 update available

Finale 25, released this last August, is one of the most successful and feature rich efforts from MakeMusic in quite awhile. The point release for Finale v25.1, announced only a couple of months later, surprised Finale users with a small number of useful new features as well as the usual incremental bug fixes.

Multiple free-of-charge releases are part of MakeMusic’s new continuous development and release initiative; e.g. they have announced that they plan to share bug fixes and new features more frequently rather than saving them up for a single larger release.

As it turns out, this free point release to 25.2 released today (12/08/16) also feels substantial, with a couple of very nice feature enhancements along with fixes for a number of bugs (some of which have been around for awhile). Let’s dive in.

more >> “Finale 25.2 update available”

Finale : Experiments in Automatic Font Conversion

Plugin developer Jan Angermüller has been hard at work on a promising new plug-in for Finale he calls “House Style Changer“. You may remember that Jan wrote a guest article for the Of Note blog back in July describing his Music Font Comparison tool, which is a development tool related to this new plug-in.

Jan just posted a new article on his own website entitled “Experiments in Automatic Font Conversion“. The article is resplendent with geeky fontographer-centric detail and lots of great visuals. And one more thing: a freeware font package with 21 free new Maestro compatible music fonts converted for Finale.

Check out this video demo, which shows the creation of a Maestro-compliant music font from an arbitrary unicode font that previously didn’t work in Finale at all. The whole conversion process takes under a minute.

Fonts are: Bravura, Beethoven, Cadence, Emmentaler, Euterpe, FreeSerif, Gootville, Gutenberg, LV-GoldenAge, Haydn, Improviso, JazzyBasic, LilyBoulez, Leipzig, LilyJazz, Profondo, Paganini, Ross, Scorlatti, Sebastiano, and Unifont Upper.

Moving forward, Jan’s automated method of converting older, well-loved music notation fonts into the SMuFL format using a music symbols database and custom scripting has the potential to benefit people working in a variety of music notation software. Pretty exciting stuff.

More information:

 

Note Spacing & Locked Systems in Finale

Q: “I’d like to create a document with one measure per system in Finale, with a different time signature per system, and where the width of each measure varies according to the time signature so that the distance between quarter notes is the same for each measure, regardless of the time signature.

I can do this by manually dragging the Edit System Margin handles, but was hoping that this spacing (measure varies according to time signature) can be done automatically somehow.”

A: It’s a great question. I hope you won’t mind if I reel this out a bit, since it will allow us to look at the relationship between note spacing and the measures and systems which encapsulate that spacing:

more >> “Note Spacing & Locked Systems in Finale”

Controlling Staff Visibility of Tacet Bars in Finale

Q: I have been trying to figure out how, or if it’s possible to add a staff (for an instrumental solo, etc.) later within a score, as opposed to having that staff appear at the beginning of a piece. I can’t find a thing regarding this issue in the Finale tutorials or other help options. If you have any suggestions, I would greatly appreciate it!

A: Good question. A common convention for score layout is to show all staves for all performers on the first score page. This establishes the instrumentation, and also provides a head’s up to the conductor about custom instrument ordering etc.

After the first page of music, in published music, a convention is to show only staves of the musicians who are actually playing, with tacet staves being hidden. It’s worth noting that for commercial scores such as film or video game recordings, pops concerts, etc, any resting staves continue to be shown. This helps the conductor stay oriented, as rehearsal time is typically very limited.

However, there are situations where there is no need to show every staff on the first page of score, and in fact, it would serve no purpose to show these staves until the performer is playing. For instance, the strings are notated on single staves at the top of the piece, but at some later point, break out into additional staves of divisi. Another example is where one player within the section is given a solo passage which is written into the regular ensemble part.

Finale allows you to control staff visibility globally or on a per system basis, so whether you are showing the first staff and then hiding resting staves or hiding an instrument until its entrance, the following technique will work.

Let’s take a look at how we might show a short solo string passage in an ensemble score.

more >> “Controlling Staff Visibility of Tacet Bars in Finale”

Finale 2014.5 : TG Tools – Align/Move Dynamics : Mac Keyboard Shortcuts

If you have been using Finale 2014.5 for Mac, you may be experiencing an issue with the TG Tools LE plug-in “Align/Move Dynamics” with the keyboard shortcuts for this plug-in not working.

This has been resolved in an updated version of the plug-in bundle which is available in the MakeMusic website.

  1. Close any open programs (including Finale)
  2. Download and then Double-click the ‘Finale_Plugins_TGToolsLE_Mac_2_artifacts.zip’ file to extract its contents. A file called ‘TGToolsLE.bundle’ should appear on your Desktop
  3. Click Go > Go To Folder… from the Finder menu.
  4. Type in the following directory path…/Library/Application Support/MakeMusic/Finale 2014.5/Plug-ins/
  5. Click Go, then open the TG Tools plug-in subfolder.
  6. Move the existing ‘TGToolsLE.bundle’ file to the Trash
  7. Click and drag the new ‘TGToolsLE.bundle’ from your Desktop into this folder
  8. Launch Finale 2014.5 again.

At this point your keyboard shortcuts for Align / Move should be restored on Mac. If you are still having issues, contact MakeMusic Customer Support.

Custom Articulations

Q: I am studying the commercial template you created for Cinesamples and was wondering how you created those new tuplets in the Articulation part in the Engraving Rules in the Sibelius version of the template?

sib-articulations-engraving-rules

A: Sibelius has three user definable slots in the Articulations section of Edit Symbols (first two shown):

sib-symbols-articulations

These correspond to the Custom Articulations 1, 2 and 3 in the fourth keypad in Sibelius, and show up in Engraving Rules > Articulations once defined.

more >> “Custom Articulations”