… music notation tips & tutorials by experts in this field.
Laissez vibrer [Fr.] allow to sound, do not damp.
Laissez vibrer, or L.V. indications such as the one pictured above, are common notation practice. Instead of writing out a series of notes or chords together for what might be a long duration, the player is simply instructed, via a tie and the abbreviated ‘l.v.’ text, to let the note(s) ring out for as long as they would sound.
more >> “L.V. Symbols in Sibelius (Laissez vibrer) – Several Solutions”
I was fortunate to be part of the recording sessions in 1998 when Disney came to Seattle to recorded the orchestral soundtrack for the English version of “Castle in the Sky” (Tenkū no Shiro Rapyuta) with members of the Seattle Symphony. The original collaboration in 1986 between director Hayao Miyazaki and composer / conductor Joe Hisaishi for the original version of “Castle in the Sky” had been critically acclaimed, and a lot was riding on this new version of the score being recorded in Seattle.
The director, composer and production crew had all flown in from Japan for the session, and arrived to the soundstage a couple of hours before the session. We were recording in a space with superb acoustics in Seattle known as “The Chapel”. In an earlier life, this recording space had been the Sanctuary of the St. Thomas Catholic Monastery and is now the site of Bastyr University. Among the entourage was the Japanese music copyist for the sessions, who arrived with two suitcases containing the printed music he and his crew had prepared for the orchestra and conductor, which he had hand-carried with him on the plane.
Part of my job as the music librarian for the sessions was to set out the scores for the conductor, and the parts for the musicians. When I opened the first suitcase, I was stunned to see that each individual “book” of music for the players was carefully wrapped in rice paper, and tied with a thin black ribbon. Since I started my music preparation business in 1995, I’ve had the pleasure of working with some of the very best music copyists and engravers in the industry, but I’d never seen anything like this before, or since, in terms of presentation.
The scores for the conductor were also beautifully presented; hand-taped and bound with black cloth book-binding tape; one score book for each reel of the film. As the musicians began unwrapping the gift of music I had placed on their stands, I took note of the smiles and murmurs running through the orchestra.
I could see that the music copyist’s attention to detail extended to the music notation on the page as well. This was world-class music preparation and presentation!
In subtle ways, printed music notation can be the vehicle which brings the performance of a score to life. The quality of the workmanship and the presentation of the printed music can have a positive impact on a rehearsal, recording or performance.
It was certainly true for the “Castle in the Sky” score. The soundtrack recorded that day was magical.
Best wishes,
Robert
天空の城ラピュタ
When working with scores in keys of four sharps or more, it’s frequently desirable for transposing instruments such as Bb Clarinet or Trumpet to show their respective transpositions in flat keys. For instance, the key of B major concert (five sharps) will automatically display in Finale’s Clarinet or Bb Trumpet staves as the key of Db (5 flats), rather than C# major (7 sharps).
This desirable behavior happens because in the Transposition Definition for these instruments, “Simplify Key” is checked by default:
Finale’s rule for “Simplify Key” is: always show the enharmonic key signature which displays the fewest accidentals when transposed. For concert keys of five sharps or more, Bb transposing instruments will always show flat keys (which, coincidentally, many wind and brass players prefer).
However, you may have noticed that “Simplify Key” doesn’t work in four sharps concert, because, technically, the two possible enharmonic key signatures of six sharps or six flats, are equally “simple”.
That being the case, how can we coax a concert key signature of four sharps (E major or C# minor) to appear as six flats (rather than six sharps) for Bb instruments?
more >> “Finale : Six of One ; ½ Dozen of the other – the Simplify Key Conundrum”
When working with scores in keys of four sharps or more, it’s frequently desirable for transposing instruments such as Bb Clarinet or Trumpet to show their respective transpositions in flat keys. For instance, the key of B major concert (five sharps) will automatically display in Sibelius’ Bb Clarinet or Bb Trumpet staves as the key of Db (5 flats), rather than C# major (7 sharps).
This desirable behavior happens because “Respell remote key signatures in transposing score” in the Clefs and Key Signatures panel of the Engraving Rules is checked by default:
Sibelius’ rule for “Respell remote key signatures in transposing score” is: always show the enharmonic key signature which displays the fewest accidentals when transposed. For concert keys of five sharps or more, Bb transposing instruments will always show flat keys (which, coincidentally, many wind and brass players prefer).
However, you may have noticed that “Respell Remote Key Signatures” doesn’t work in four sharps concert, because, technically, the two possible enharmonic key signatures of six sharps or six flats, are equally “simple”.
That being the case, how can we coax a concert key signature of four sharps (E major or C# minor) to appear as six flats (rather than six sharps) for Bb instruments?
more >> “Sibelius : 6 of 1 ; ½ Dozen of the other – the Respell Remote Key Sigs Conundrum”
A couple of years ago I was editing a piece of music and realized I was spending too much time and effort selecting objects with the mouse. In order to understand just how much of a problem that was, it’s useful to take a look at a sample page:
more >> “Find Next One of These – A Useful and Little Known Sibelius Plugin”
In observing the steps people go through to change visibility of text between score and parts in Sibelius, I thought a short tutorial post on the subject might be helpful.
more >> “Sibelius : Controlling Text Visibility Between Score & Parts”
In observing the steps people go through to change visibility of text between score and parts in Finale, I thought a short tutorial post on the subject might be helpful.
more >> “Finale : Controlling Text Visibility Between Score & Parts”